So you’ve got your students on a quality reed, a quality mouthpiece. Now’s the time you might ask, “What is this piece of metal holding the two together, and do I need to pay any attention to it?” Does that sound about right? Don’t worry, you’re not alone and we’re here to tell you everything you need to know. That piece of metal is called a ligature and, after the mouthpiece and reed, it is truly the icing on the cake. While any ligature can simply secure the reed to the mouthpiece, a quality ligature enhances reed and mouthpiece response, tone color, and even consistency.
Like mouthpieces, ligatures come in many different materials and designs - metal, leather, string, inverted, one-screw, two-screw, etc. In the end, manipulation of these elements and their contact points (where the ligature physically touches the reed) affect the way in which a reed vibrates. How this is perceived is very subjective, but for the sake of your sanity we’ll generalize.
The more material touching the reed, the more of a dampening affect it can potentially have on reed vibration. Inversely, the less material coming into contact with the reed, the more freely the reed vibrates. This is why a thick leather ligature might be perceived as having a darker sound and different feel than a thin, metal ligature with minimal contact points. See figures below for a closer look at contact points.
Depending on the type of music being played, or more often the tonal tendencies and/or concept of a particular player, a certain ligature might work better. So with that in mind it is important to consider the options that best fit your student’s playing style in order to ensure a perfect fit both for the student and for the sound of the ensemble. Here are some suggestions to get you started.
In a concert band setting:
In any large ensemble setting, you are looking to have an even balance across the sections and the ensemble as a whole. It is important that everyone blends together to create a warm, rich, unified sound.
In a jazz band setting:
One of the greatest challenges young saxophone musicians face in a jazz setting is projection. You want to ensure that your saxophones can compete with the sounds of brass players and amplified rhythm section. Because of this, you need to find a ligature that is free-blowing and allows for greater projection.
M|O Ligature: This ligature will help your saxophone section to compete with brass players. It is a free-blowing, extremely responsive ligature, which helps students to project more easily. As an added bonus, the M|O is one of our least expensive ligatures.
Optimum Ligature: The Optimum ligature is a great all-around ligature. Using the proper plate, the Optimum ligature can ensure that your saxophone section will be heard over the brass and rhythm sections.
In a marching band setting:
Similar to a jazz band setting, you want to be sure that your clarinets and saxophones are heard when they are marching. Because of this, it is important they have a ligature that allows for greater projection while maintaining that warm, blended sound.
For beginners specifically:
For beginners, the two main concerns when choosing a ligature are ease of playing and price point. You want to be sure your beginning students have a ligature that responds well and allows them to get a nice tone without having to over exert themselves or break the bank.
M|O Ligature: for clarinet, we recommend the black or pewter finish, as it provides the student with a warm, round tone without sacrificing their projection or ease of playing. For saxophone, we recommend the gold finish, as it too has a great response and provides the students with a round tone. As an added bonus, the M|O is one of our least expensive ligatures.
Some things to remember:
- The above descriptions are generalized and results may vary from student to student. Because of this, it is important to try out a few options with your ensemble before committing.
- If a private lesson teacher is suggesting equipment to your student, it is okay to have your student use what they recommend. The student’s private teacher will know them well and will likely know what the best options are for that student.
- All of the ligatures discussed above can be used in any style of playing. These are simply the options we recommend for your students to ensure you get the sound you are looking for. That said, everyone is different and it is possible that you will find an option different from our suggestions that works best for your ensemble.