10 Great Clarinet Étude Books
by Mitchell Estrin
Date Posted: November 11, 2020

Most serious clarinet students follow a traditional path of method and étude books as they progress from beginner to intermediate to advanced performance levels. As the student progresses, the Carl Baermann Third Division (scale studies) and the Cyrille Rose 32 Études and 40 Studies are the most frequently assigned materials. These books are timeless and can be utilized for a lifetime.
To continue progressing and to solidify all of the foundational aspects of technique, it is important to practice a variety of study materials to complement the learning of solo repertoire.
Clarinet solo repertoire can be selected from a wide range of chronological and stylistic periods, and there are many excellent étude books from the past two hundred years that will enhance both musical and technical progress.
I have compiled this list of ten of my personal favorites to help students and teachers in choosing appropriate books to help further their technical and music progress.
1. Carl Baermann – Method for Clarinet, Opus 63 - Divisions 4 and 5
Most students study the Baermann Division 3 which is a fantastic and comprehensive book of scale studies. The often overlooked Divisions 4 and 5 are beautiful études and concert pieces in Romantic style, written in a progressively difficult manner to challenge the clarinetist.

2. Ernesto Cavallini – 30 Caprices for Clarinet
Virtuosic caprices in nineteenth century Italian style. Fun, rewarding, and not easy!

3. Norman Heim – The Development of the Altissimo Register for Clarinet
A great progressive book to help students develop greater control and command of the altissimo register.

4. Paul Jeanjean – 18 Études for the Clarinet
Jeanjean wrote many excellent books for the clarinet. I particularly enjoy these beautiful and difficult Impressionistic style études.

5. Reginald Kell – 17 Staccato Studies
I use this book with every student, and these lovely pieces help students to develop a more consistent and faster articulation.

6. Kalmen Opperman – Modern Daily Studies (Books 1-3)
These very challenging books are great for developing a stronger and more consistent technique. Opperman’s Velocity Studies are also excellent for improving technique.

7. Victor Polatschek – Advanced Studies for Clarinet
A wonderful book of challenging studies based on classical repertoire alongside some originals by Polatschek.

8. Robert Stark – Practical Staccato School, Part 3
A great book to practice after completing the aforementioned Kell studies.

9. Alfred Uhl – 48 Studies for Clarinet (Books 1 and 2)
Beautifully written and challenging twentieth century studies that will supplement the practice of more modern solo repertoire.

10. Himie Voxman – Classical Studies for Clarinet (From Bach to Handel)
These wonderfully adapted pieces from the Baroque masters should not be overlooked.


About the Author
Mitchell Estrin is Professor of Music Emeritus at the University of Florida where he was founder and music director of the University of Florida Clarinet Ensemble and a University of Florida Research Foundation Professor. He served as the Artistic Director of the Vandoren Clarinet Ensemble Festival and was founder of the Buffet Crampon USA Summer Clarinet Academy. Prof. Estrin was the 20th President of the International Clarinet Association (ICA). He is the author of the biography Stanley Drucker, Clarinet Master published by Carl Fischer and Writing the Vandoren WAVE published by CAMco. His critical edition of the Weber Concertino for Clarinet, Op. 26 is published by Jeanné.
Prof. Estrin is a 2023 recipient of Honorary Membership in the International Clarinet Association. This accolade, marking the highest honor in the clarinet world, is said to acknowledge individuals with a distinguished background in the areas of professional service, teaching, performance, and lifetime achievements.
Mitchell Estrin studied clarinet with Stanley Drucker at The Juilliard School where he received his bachelor’s and master’s degrees. His other influential teachers include Jerome Stowell, Walter Wollwage, Leon Russianoff, Larry Combs, Robert Bloom, and John Moses.
Prior to his academic appointments, he had a 25-year association with the New York Philharmonic. He performed in hundreds of concerts and on 19 international tours with the Philharmonic as principal, second, and E-flat clarinetist under music directors Alan Gilbert, Lorin Maazel, Kurt Masur, Zubin Mehta, Pierre Boulez, Leonard Bernstein, and many distinguished guest conductors including Erich Leinsdorf, Sir Georg Solti, Claudio Abbado, Klaus Tennstedt, Andre Previn, Sir Colin Davis, and Leonard Slatkin. He performed on dozens of recordings with the Philharmonic and on numerous occasions performed with the orchestra on the PBS award winning series, Live From Lincoln Center.
As an international concert artist, Mitchell Estrin has performed in over 40 countries on 5 continents. He performed and recorded the world premiere of The Shadows of October for clarinet and orchestra by Michael Whalen with the Janacek Philharmonic.
“This beautiful and lushly scored tonal piece…. is performed by clarinetist Mitchell Estrin…. He plays beautifully with a lovely colored tone.”
The Clarinet
As a chamber musician, he has performed with such notable ensembles as The Chamber Music Society of Lincoln Center, New Arts Trio, American Chamber Winds, at the Newport Music Festival, and was a founding member of the Amadeus Ensemble.
Prof. Estrin has an extensive discography of solo and chamber music and recorded hundreds of television commercials and Hollywood motion-picture soundtracks. He has performed and recorded with many leading popular artists including Emerson, Lake and Palmer, Peter, Paul and Mary, Ray Charles, The Fugees, Wynton Marsalis, Benny Golson, Smashing Pumpkins, and Natalie Merchant. His motion picture soundtrack credits include recordings for Columbia, Walt Disney, Paramount, MGM, 20th Century Fox, United Artists, and Warner Brothers on feature films including Aladdin, Beauty and the Beast, The Alamo, Intolerable Cruelty, The Score, You’ve Got Mail, Primary Colors, Fargo, Batman Forever, Interview with the Vampire, Home Alone 2, Pocahontas, Doc Hollywood, Regarding Henry, The Untouchables, Reds, and Dressed to Kill. His television credits include recordings for ABC, NBC, CBS, CNN, HBO, TBS, and ESPN. Prof. Estrin was principal clarinetist for the NBC 75th Anniversary Special; broadcast from the famed NBC Studio 8H in New York City. He has appeared on The Late Show with David Letterman, The Phil Donahue Show, the television series Nurse, and in Kramer vs. Kramer, the 1980 Academy Award Winner for Best Picture. His clarinet playing has also been heard on hundreds of television and radio commercials. The National Academy of Recording Arts and Sciences recognized him as a Most Valuable Player nominee for his outstanding performances in the recording studio.
Prof. Estrin has presented recitals, masterclasses, workshops, and seminars at many prestigious educational conferences and institutions. This list includes the Eastman School of Music, Peabody Conservatory, Arizona State University, Florida State University, University of Maryland, University of Alabama, University of Arizona, University of Illinois, University of Texas, Texas State University, Texas A&M University, Midwest Clinic, New York State School Music Association, Connecticut School Music Association, and Florida Music Educators Association. In 2019, he was a guest clinician in Australia at the University of Melbourne. He has performed in recital with clarinetists Stanley Drucker, Karl Leister, and Mark Nuccio.
Widely acclaimed as a conductor and proponent of the clarinet choir, Prof. Estrin has served as director of the International Clarinet Association ClarinetFest® College, Festival, and Professors Clarinet Choirs, Texas State Clarinet Fiesta Clarinet Choir, Oklahoma Clarinet Symposium Clarinet Choir, Texas Clarinet Colloquium Clarinet Choir, and United States Navy Clarinet Choir. He held a Guinness World Record for conducting the world’s largest clarinet choir (367 members) in 2019. He has conducted the University of Florida Clarinet Ensemble throughout the United States and Europe, including three feature recitals at the International Clarinet Association ClarinetFest®. The ensemble has produced four critically acclaimed CD’s for Mark Masters, Christmas Clarinets (2016), Clarinet Choir Classics (2012), Clarinet Thunder (2009), and Wind in the Reeds (2006). Each of these recordings was selected for the Grammy Nomination eligibility list. Prof. Estrin has authored multiple articles on the history, development, repertoire, and logistics of the clarinet choir.
As a music producer and annotator, he has worked on projects with such renowned artists as trombonist Joseph Alessi, jazz pianist Lynne Arriale, and saxophonist Mike Smith. He has produced five clarinet choir CDs for Mark Recording.
Prof. Estrin’s students have performed with such prestigious ensembles as the Chicago Symphony, Cleveland Orchestra, Cincinnati Symphony, Baltimore Symphony, Pittsburgh Symphony, Detroit Symphony, Louisville Orchestra, New York Pops, United States Army Band “Pershing’s Own”, United States Army Field Band, and West Point Band. His students hold educational positions at several major universities including Indiana University, University of Arizona, University of Florida, and University of South Alabama.
Mitchell Estrin is a Buffet Crampon Legacy Artist and performs exclusively on the Buffet R13 clarinet. As a Vandoren Performing Artist, he endorses and performs exclusively on Vandoren reeds (V.12) and mouthpieces (BD2). Prof. Estrin’s educational articles are published regularly in the Vandoren WAVE and his biography is listed in Who’s Who in Classical Music, Who’s Who in American Music, and Who’s Who in International Music.