The Debussy Première Rhapsodie: A History Lesson for Clarinetists
by Mitchell Estrin
Date Posted: February 01, 2018

History and Background of the Piece
Musical Influence
Claude Debussy (1862-1918) is remembered in music history as one of the leading exponents of Impressionism. This movement in music and art was characterized by lush colors and textures, and great subtleties of shape and contour. In art, the paintings of Claude Monet (1840-1926), especially his famous "water lilies", visually exemplify the Impressionist movement.
In music, the works of Debussy represent the extraordinarily beautiful musical palette of colors that personify Impressionism. Harmonic innovations of the Impressionists included the use of wholetone scales, pentatonic scales, and non-traditional modulations and chromaticism. These new devices separated Impressionist harmony from other musical forms and previous stylistic periods.
Composing Première Rhapsodie
As is the case with many other compositions for clarinet by the great masters, Debussy composed the Première Rhapsodie towards the end of his life. The piece was commissioned by the Paris Conservatoire for their annual examinations in 1910. So, this work is actually a "Solo de Concours" (competition solo) written to test the abilities of the clarinet students at the Conservatoire.
As was tradition, the students were given the music to prepare and memorize one month prior to the examinations. In addition to performing the required solo piece at the examinations, the students were also tested on sight reading. For this test in 1910, Debussy composed a very short and charming work for clarinet and piano entitled Petite Pièce.
Dedicated to Prospère Mimart
The Première Rhapsodie is dedicated to Prospère Mimart (1859-1928), who was the professor of clarinet at the Paris Conservatoire from 1904-1918. Mimart gave the premiere performance on January 16, 1911.
Structure of the Piece
As the title implies, the Première Rhapsodie is a free form piece. In a whirlwind seven plus minutes, Debussy poses immense challenges on the performer. The difficulties include a number of significant technical obstacles, tests of endurance, breath control, and subtleties of tone, intonation, and nuance.
Although originally conceived as a competition solo, the work was quickly recognized as a masterpiece solo work for the clarinet, and soon began appearing in programs on the concert stage. Debussy was so pleased with this work that in 1911 he orchestrated the piano part so that the piece could be performed by soloist with orchestra. The orchestration is brilliant and offers clarinetists a very special addition to the repertoire for clarinet and orchestra.
The title "Première" (first) Rhapsodie implies that perhaps Debussy may have considered the possibility of a second Rhapsodie, but, unfortunately, this never materialized.
"Although originally conceived as a competition solo, the work was quickly recognized as a masterpiece solo work for the clarinet..." - Mitchell Estrin
Who Should Perform This Work?
The Première Rhapsodie is challenging for an advanced player, and should not be attempted early in the performing life of a clarinet student. Sometimes, I will assign this piece to an advanced college undergraduate student, but the complexities and subtleties are more appropriate for graduate students. Performing the Petite Pièce as a prelude to the Première Rhapsodie is a favorite combination of mine for recital programming.
You can hear the Première Rhapsodie in its original conception with piano in many fine recordings on YouTube. To listen to the work with orchestra, my favorite recording was made in 1961 by clarinetist Stanley Drucker with the New York Philharmonic, conducted by Leonard Bernstein.

About the Author
Mitchell Estrin is Professor of Music Emeritus at the University of Florida where he was founder and music director of the University of Florida Clarinet Ensemble and a University of Florida Research Foundation Professor. He served as the Artistic Director of the Vandoren Clarinet Ensemble Festival and was founder of the Buffet Crampon USA Summer Clarinet Academy. Prof. Estrin was the 20th President of the International Clarinet Association (ICA). He is the author of the biography Stanley Drucker, Clarinet Master published by Carl Fischer and Writing the Vandoren WAVE published by CAMco. His critical edition of the Weber Concertino for Clarinet, Op. 26 is published by Jeanné.
Prof. Estrin is a 2023 recipient of Honorary Membership in the International Clarinet Association. This accolade, marking the highest honor in the clarinet world, is said to acknowledge individuals with a distinguished background in the areas of professional service, teaching, performance, and lifetime achievements.
Mitchell Estrin studied clarinet with Stanley Drucker at The Juilliard School where he received his bachelor’s and master’s degrees. His other influential teachers include Jerome Stowell, Walter Wollwage, Leon Russianoff, Larry Combs, Robert Bloom, and John Moses.
Prior to his academic appointments, he had a 25-year association with the New York Philharmonic. He performed in hundreds of concerts and on 19 international tours with the Philharmonic as principal, second, and E-flat clarinetist under music directors Alan Gilbert, Lorin Maazel, Kurt Masur, Zubin Mehta, Pierre Boulez, Leonard Bernstein, and many distinguished guest conductors including Erich Leinsdorf, Sir Georg Solti, Claudio Abbado, Klaus Tennstedt, Andre Previn, Sir Colin Davis, and Leonard Slatkin. He performed on dozens of recordings with the Philharmonic and on numerous occasions performed with the orchestra on the PBS award winning series, Live From Lincoln Center.
As an international concert artist, Mitchell Estrin has performed in over 40 countries on 5 continents. He performed and recorded the world premiere of The Shadows of October for clarinet and orchestra by Michael Whalen with the Janacek Philharmonic.
“This beautiful and lushly scored tonal piece…. is performed by clarinetist Mitchell Estrin…. He plays beautifully with a lovely colored tone.”
The Clarinet
As a chamber musician, he has performed with such notable ensembles as The Chamber Music Society of Lincoln Center, New Arts Trio, American Chamber Winds, at the Newport Music Festival, and was a founding member of the Amadeus Ensemble.
Prof. Estrin has an extensive discography of solo and chamber music and recorded hundreds of television commercials and Hollywood motion-picture soundtracks. He has performed and recorded with many leading popular artists including Emerson, Lake and Palmer, Peter, Paul and Mary, Ray Charles, The Fugees, Wynton Marsalis, Benny Golson, Smashing Pumpkins, and Natalie Merchant. His motion picture soundtrack credits include recordings for Columbia, Walt Disney, Paramount, MGM, 20th Century Fox, United Artists, and Warner Brothers on feature films including Aladdin, Beauty and the Beast, The Alamo, Intolerable Cruelty, The Score, You’ve Got Mail, Primary Colors, Fargo, Batman Forever, Interview with the Vampire, Home Alone 2, Pocahontas, Doc Hollywood, Regarding Henry, The Untouchables, Reds, and Dressed to Kill. His television credits include recordings for ABC, NBC, CBS, CNN, HBO, TBS, and ESPN. Prof. Estrin was principal clarinetist for the NBC 75th Anniversary Special; broadcast from the famed NBC Studio 8H in New York City. He has appeared on The Late Show with David Letterman, The Phil Donahue Show, the television series Nurse, and in Kramer vs. Kramer, the 1980 Academy Award Winner for Best Picture. His clarinet playing has also been heard on hundreds of television and radio commercials. The National Academy of Recording Arts and Sciences recognized him as a Most Valuable Player nominee for his outstanding performances in the recording studio.
Prof. Estrin has presented recitals, masterclasses, workshops, and seminars at many prestigious educational conferences and institutions. This list includes the Eastman School of Music, Peabody Conservatory, Arizona State University, Florida State University, University of Maryland, University of Alabama, University of Arizona, University of Illinois, University of Texas, Texas State University, Texas A&M University, Midwest Clinic, New York State School Music Association, Connecticut School Music Association, and Florida Music Educators Association. In 2019, he was a guest clinician in Australia at the University of Melbourne. He has performed in recital with clarinetists Stanley Drucker, Karl Leister, and Mark Nuccio.
Widely acclaimed as a conductor and proponent of the clarinet choir, Prof. Estrin has served as director of the International Clarinet Association ClarinetFest® College, Festival, and Professors Clarinet Choirs, Texas State Clarinet Fiesta Clarinet Choir, Oklahoma Clarinet Symposium Clarinet Choir, Texas Clarinet Colloquium Clarinet Choir, and United States Navy Clarinet Choir. He held a Guinness World Record for conducting the world’s largest clarinet choir (367 members) in 2019. He has conducted the University of Florida Clarinet Ensemble throughout the United States and Europe, including three feature recitals at the International Clarinet Association ClarinetFest®. The ensemble has produced four critically acclaimed CD’s for Mark Masters, Christmas Clarinets (2016), Clarinet Choir Classics (2012), Clarinet Thunder (2009), and Wind in the Reeds (2006). Each of these recordings was selected for the Grammy Nomination eligibility list. Prof. Estrin has authored multiple articles on the history, development, repertoire, and logistics of the clarinet choir.
As a music producer and annotator, he has worked on projects with such renowned artists as trombonist Joseph Alessi, jazz pianist Lynne Arriale, and saxophonist Mike Smith. He has produced five clarinet choir CDs for Mark Recording.
Prof. Estrin’s students have performed with such prestigious ensembles as the Chicago Symphony, Cleveland Orchestra, Cincinnati Symphony, Baltimore Symphony, Pittsburgh Symphony, Detroit Symphony, Louisville Orchestra, New York Pops, United States Army Band “Pershing’s Own”, United States Army Field Band, and West Point Band. His students hold educational positions at several major universities including Indiana University, University of Arizona, University of Florida, and University of South Alabama.
Mitchell Estrin is a Buffet Crampon Legacy Artist and performs exclusively on the Buffet R13 clarinet. As a Vandoren Performing Artist, he endorses and performs exclusively on Vandoren reeds (V.12) and mouthpieces (BD2). Prof. Estrin’s educational articles are published regularly in the Vandoren WAVE and his biography is listed in Who’s Who in Classical Music, Who’s Who in American Music, and Who’s Who in International Music.